![]() Like the Wes Montgomery set that I reviewed yesterday, this two-CD set with a 36-page booklet of liner notes and interviews was produced by Zev Feldman.Īccording to Zev's introductory essay, the tapes were in the possession of Léon Terjanian, a resident of Strasbourg, France. Now, the music from December 1969 has just been released on Evans in England (Resonance). ![]() The tape captured Bill at his gentle and poetic best, a throwback to his perspicacious playing of several years earlier. At various points during the month, the gig was beautifully recorded. įinally, on December 1, the Bill Evans Trio opened at Ronnie Scott's Jazz Club in London, a run that would last until December 27. Later that month, the trio recorded live in Copenhagen ( Jazzhouse) and Amsterdam ( Quiet Now). ![]() Back in New York in early November, Evans began recording From Left to Right, his moody Fender Rhodes-acoustic piano album backed by an orchestra. Then they moved on to Holland in late March ( Live In Hilversum 1969) and Italy in July ( Autumn Leaves). In February, the trio was recorded furtively at New York's Village Vanguard ( The Secret Sessions). ![]() In January, February and early March, Evans and bassist Eddie Gomez and drummer Marty Morell recorded What's New with flutist Jeremy Steig. The year 1969 was a busy one for pianist Bill Evans. ![]()
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